 |
 |
 |
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
Christian Weber Walcheturm Solo Cut 2008 «Easily one of the more unique and inspiring albums this year.» Tobias Fischer, Tokafi read more... |
|
|
||
 |
Christian Weber 3 Suits & A Violin hatOLOGY 2006 «One of the best releases of 2006, very highly recommended.» Massimo Ricci, Paris Transatlantic read more... |
|
|
|
|
 |
Christian Weber Osaka Solo Self Release 2006 «It's about playing rather than fixing.» Noël Akchoté, Skug read more... |
|
|
||
 |
Lake-Weber-Ulrich feat. Nils Wogram All Decks Intakt 2013 «Other modes of query may be delayed.» Another Journal |
|
|
||
 |
WWW The Holistic Worlds Of... Monotype 2012 «Inventive and imaginative, not a weak spot.» Dolf Mulder, Vital Weekly |
|
|
||
 |
Wooley - Weber - Lytton Six Feet Under NoBusiness 2012 «This splattering platter is to die for.» Lawrence Joseph, Cult |
|
|
||
 |
Tetras Pareidolia Flingco 2012 «Thunder and lightning caroming down a long canyon.» Bill Meyer, tokafi |
|
|
||
 |
Lake-Weber-Ulrich For A Little Dancin' Intakt 2010 «The music is dense, urgent, wide awake.» Manfred Papst, NZZ |
|
|
||
 |
Picard-Dunmall-Rogers-Weber-Levin London Meets Altbüron DUNS Limited Edition 2008 «This is where the cosmic energy truly comes together.» Bruce Lee Gallanter, Downtown Music Gallery |
|
|
 |
Signal Quintet & Yamauchi Signal to Noise Vol. 4 For4Ears 2007 «Improvisation master class this one.» Frans de Waard, Vital Weekly |
|
||
 |
Mersault Raymond & Marie formed 2007 «Unpleasingly beautiful playing for those who don't like security.» Massimo Ricci, Touching Extremes read more... |
|
|
||
 |
Korber-Weber-Yamauchi Signal to Noise Vol. 2 For4Ears 2007 «Magnificent.» Dan Warburton, Paris Transatlantic read more... |
|
|
||
 |
Signal Quintet Yamaguchi Cut 2007 «... there's a hint of beauty in the music.» Brian Marley, The Wire |
|
|
||
 |
Thieke-Griener-Weber The Amazing Dr. Clitterhouse Ayler Records 2007 «The recording showcases a trio full of personality.» Celeste Sunderland, All About Jazz (NY) |
|
|
||
 |
Kahn-Korber-Weber Zürcher Aufnahmen Longbox Recordings 2007 «...despite its stoic coldness it offers plenty to the patient.» Jon Dale, The Wire |
|
|
||
 |
Wintsch-Weber-Wolfarth WWW Leo Records 2006 «Der goldene Zuschnitt dieser Musik ist fast beängstigend.» Rigobert Dittmann, Bad Alchemy |
|
|
||
 |
Wiesendanger-Weber-Ulrich We Concentrate. hatOLOGY 2006 «With their own sense of history, this is marvelous trio music.» Jason Bivins, Cadence |
|
|
||
 |
Mersault s/t Quakebasket 2005 «Three pieces that are all highly powerful to say the least.» Frans de Waard, Vital Weekly |
|
|
||
 |
Binder-Weber-Ulrich BOX Origin 2005 «This is exploration of how music is made on the spot.» Adam Greenburg, All Music Guide |
|
|
||
 |
WAL Law & Disorder Unit Records 2003 «Das ist Musik die alte Geister wach ruft...» Pirmin Bossart, Neue Luzerner Zeitung |
|
|
||
 |
Brennan-Denzler-Weber-Wolfarth Momentum 3 Leo Records 2002 «They integrate seamless flow into the grand proceedings.» Glenn Astarita, All About Jazz |
|
|
||
 |
Peyer-Weber-Stoffner Unsung Songs Unit Records 2000 «Sympathetically and intelligently played.» Eric Lewis, Jazz Now |
|
|
||
 |
trio bekic-weber-herrmann mnemosonik Extraplatte 1999 «Beseelt von wohltuender Eigenwilligkeit und Prägnanz.» Extraplatte |
|
|
||
 |
Co Streiff-Russ Johnson Quartet In Circles Intakt 2011 «Evocative, haunting score work.» |
|
|
||
 |
Christoph Irniger - Pilgrim Mt. Tongariro Between The Lines 2011 «Die individuelle Klasse bleibt indes nicht verborgen.» |
|
|
||
 |
Norbert Möslang The Sound Of Insects bots 2011 «Evocative, haunting score work.» |
|
|
||
 |
Felix Profos FORCEMAJEURE Lingua Mortuorum Zhdk Records 2011 «Hidden amongst them are some excellent horror stories.» |
|
|
||
 |
Stefan Heckel Group Lifeline Sessionwork Records 2011 «Europäische Wurzeln und orientalische Farben.» |
|
|
||
 |
OZMO OZMO Unit Records 2011 «They confuse the shit outta you with buzzwords.» |
|
|
||
 |
Jason Kahn Sin Asunto Creative Sources 2010 «Dissonant luminosity with a measure of angst.» Massimo Ricci, Touching Extremes |
|
|
||
 |
Matin Baumgartner's SPIELHUUS Veto Records 2010 «Anarchisch, lustvoll und froh.» Christoph Merki, Tages-Anzeiger |
|
|
||
 |
Jazzwerkstatt Bern Festival Sampler 2009 Werkstatt Records 2010 |
|
|
||
 |
Sudden Infant My Life's A Gunshot Hrönir 2010 «A unique blend of physical sound poetry and epileptic noise.» The Wire |
|
|
||
 |
BigVeto 100valli Veto Records 2009 «Eine Art von Klage gespielt Harmonischen Schilf.» Vincenzo Roggero, All About Jazz (I) - Google translation |
|
|
||
 |
Roberto Domeniconi >>Vierklang Raumzeit Unit Records 2009 «Viel Experiment und doch gut zugänglich.» Hanspeter Vetsch, Schweizer Illustrierte |
|
|
||
 |
Walter & Sabrina/Dietrich Eichmann Ensemble Demons Danny Dark Records 2008 «Orchestral motifs to propel their horrific tales of sin and revenge.» Mike Wood, Music Emissions |
|
|
||
 |
Walter & Sabrina Jung Ah Fleisch Danny Dark Records 2008 «Walter & Sabrina albums are never an easy ride.» Norman Records, online |
|
|
||
 |
Jason Kahn Timelines NY Conv 2008 «A continuum without beginning or end.» Toni Maroni, The Magazine |
|
|
||
 |
Sudden Infant Psychotic Einzelkind Blossoming Noise 2008 «A very focussed set of exercises in electronics-driven noise-rock.» Ed Pinsent, The Sound Inspector |
|
|
||
 |
Co Streiff Sextet Loops, Holes & Angels Intakt Records 2007 «Progressive jazz dipped in a variety of world-music.» Glenn Astarita, All About Jazz |
|
|
||
 |
Day & Taxi OUT percaso 2006 «...lighthearted and donative in terms of aural gratification.» Massimo Ricci, Touching Extremes |
|
|
||
 |
Day & Taxi Live in Shenzen, Shanghai and Taipei percaso [LP] 2005 «Innovativer Spieltrieb und technisches Handwerk in Symbiose.» Anke Kathrin Bonner, LP |
|
|
||
 |
Jason Kahn Timelines Cut 2005 «A big, bubbling cauldron of sound... Do yourself a favor.» Michael Schaumann, Bagatellen |
|
|
||
 |
Stefan Heckel Group News from the Royal Alpine Music Factory Extraplatte 2004 «Man verspürt den Spirit eines Live-Konzertes...» tHo, Jazzzeit |
|
|
||
 |
Sudden Infant Earwash SSSM 2003 «This is quite an original work of noise.» Frans de Waard, Vital Weekly |
|
|
||
 |
Co Streiff Sextet Qattara Intakt Records 2002 «One of this year's best and most unexpected of treasures.» Bruce Gallanter, Downtown Music Gallery |
|
|
||
 |
Stefan Heckel Group Horch Extraplatte 1999 «Mit dieser Aufnahme ist dem Quartett ein Meisterwerk gelungen.» Sägewerk |
|
|
||
 |
Maya Turbo EP 2012 «Stacheldraht mit Samtbezug.» Intro |
|
|
||
 |
Peer Seemann Partenza Peersound 2009 «...reist an zehn Orte zwischen Nordsee und Mittelmeer.» Ueli Bernays, NZZ |
|
|
||
 |
Dropp Ensemble Safety either/OAR 2009 «On a par with a well written string quartet. So good.» Richard Pinnell, The Watchful Ear |
|
|
||
 |
Kurai Kurai AltrOck 2009 «Kurai's debut release is a fantastic, enriching musical experience.» Avi Shaked, Maelstrom |
|
|
||
 |
Dead Peni 2-4+1 Blossoming Noise 2009 «Total buzzing black doom industrial noise nirvana.» Aquarius Records |
|
|
||
 |
Dietrich Eichmann Ensemble Hot Days Leo Records 2007 «This lot injects uncanny elements of soul.» Glenn Astarita, All About Jazz |
|
|
||
 |
Die Welttraumforscher Feenfeld Secret Wonder Records 2006 «Lyrisch und lakonisch leise...» Kip Eulenmeister |
|
|
||
 |
The International Nothing mainstream ftarri 2006 «It's a proud example or the new Berlin music.» Clive Bell, The Wire |
|
|
||
 |
Peer Seemann Vita Chiara peersound 2005 «Elettrocanzoni. Chanson-Traditionen und Bossa-Lounge-Sound.» Jens Wollweber, Tonspion |
|
|
||
 |
Linako's Lovely Loops white loops Linakorecords 2005 «Musikalische Ready-mades feat. Peter Kowald.» endmix.de |