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Christian Weber Walcheturm Solo Cut 2008 «Easily one of the more unique and inspiring albums this year.» Tobias Fischer, Tokafi read more... |
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Christian Weber 3 Suits & A Violin hatOLOGY 2006 «One of the best releases of 2006, very highly recommended.» Massimo Ricci, Paris Transatlantic read more... |
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Christian Weber Osaka Solo Self Release 2006 «It's about playing rather than fixing.» Noël Akchoté, Skug read more... |
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Picard/Dunmall/Rogers/Weber/Levin London Meets Altbüron DUNS Limited Edition 2008 «This is where the cosmic energy truly comes together.» Bruce Lee Gallanter, Downtown Music Gallery |
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Signal Quintet & Yamauchi Signal to Noise Vol. 4 For4Ears 2007 «Improvisation master class this one.» Frans de Waard, Vital Weekly |
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Mersault Raymond & Marie formed 2007 «Unpleasingly beautiful playing for those who don't like security.» Massimo Ricci, Touching Extremes read more... |
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Korber-Weber-Yamauchi Signal to Noise Vol. 2 For4Ears 2007 «Magnificent.» Dan Warburton, Paris Transatlantic read more... |
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Signal Quintet Yamaguchi Cut 2007 «... there's a hint of beauty in the music.» Brian Marley, The Wire |
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Thieke-Griener-Weber The Amazing Dr. Clitterhouse Ayler Records 2007 «The recording showcases a trio full of personality.» Celeste Sunderland, All About Jazz (NY) |
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Kahn-Korber-Weber Zürcher Aufnahmen Longbox Recordings 2007 «...despite its stoic coldness it offers plenty to the patient.» Jon Dale, The Wire |
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Wintsch-Weber-Wolfarth WWW Leo Records 2006 «Der goldene Zuschnitt dieser Musik ist fast beängstigend.» Rigobert Dittmann, Bad Alchemy |
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Wiesendanger-Weber-Ulrich We Concentrate. hatOLOGY 2006 «With their own sense of history, this is marvelous trio music.» Jason Bivins, Cadence |
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Mersault s/t Quakebasket 2005 «Three pieces that are all highly powerful to say the least.» Frans de Waard, Vital Weekly |
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Binder-Weber-Ulrich BOX Origin 2005 «This is exploration of how music is made on the spot.» Adam Greenburg, All Music Guide |
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WAL Law & Disorder Unit Records 2003 «Das ist Musik die alte Geister wach ruft...» Pirmin Bossart, Neue Luzerner Zeitung |
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Brennan-Denzler-Weber-Wolfarth Momentum 3 Leo Records 2002 «They integrate seamless flow into the grand proceedings.» Glenn Astarita, All About Jazz |
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Peyer-Weber-Stoffner Unsung Songs Unit Records 2000 «Sympathetically and intelligently played.» Eric Lewis, Jazz Now |
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trio bekic-weber-herrmann mnemosonik Extraplatte 1999 «Beseelt von wohltuender Eigenwilligkeit und Prägnanz.» Extraplatte |
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BigVeto 100valli Veto Records 2009 «Eine Art von Klage gespielt Harmonischen Schilf.» Vincenzo Roggero, All About Jazz (I) - Google translation |
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Roberto Domeniconi >>Vierklang Raumzeit Unit Records 2009 «Viel Experiment und doch gut zugänglich.» Hanspeter Vetsch, Schweizer Illustrierte |
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Walter & Sabrina/Dietrich Eichmann Ensemble Demons Danny Dark Records 2008 «Orchestral motifs to propel their horrific tales of sin and revenge.» Mike Wood, Music Emissions |
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Jason Kahn Timelines NY Conv 2008 «A continuum without beginning or end.» Toni Maroni, The Magazine |
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Sudden Infant Psychotic Einzelkind Blossoming Noise 2008 «A very focussed set of exercises in electronics-driven noise-rock.» Ed Pinsent, The Sound Inspector |
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Co Streiff Sextet Loops, Holes & Angels Intakt Records 2007 «Progressive jazz dipped in a variety of world-music.» Glenn Astarita, All About Jazz |
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Day & Taxi OUT percaso 2006 «...lighthearted and donative in terms of aural gratification.» Massimo Ricci, Touching Extremes |
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Day & Taxi Live in Shenzen, Shanghai and Taipei percaso [LP] 2005 «Innovativer Spieltrieb und technisches Handwerk in Symbiose.» Anke Kathrin Bonner, LP |
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Jason Kahn Timelines Cut 2005 «A big, bubbling cauldron of sound... Do yourself a favor.» Michael Schaumann, Bagatellen |
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Stefan Heckel Group News from the Royal Alpine Music Factory Extraplatte 2004 «Man verspürt den Spirit eines Live-Konzertes...» tHo, Jazzzeit |
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Sudden Infant Earwash SSSM 2003 «This is quite an original work of noise.» Frans de Waard, Vital Weekly |
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Co Streiff Sextet Qattara Intakt Records 2002 «One of this year's best and most unexpected of treasures.» Bruce Gallanter, Downtown Music Gallery |
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Stefan Heckel Group Horch Extraplatte 1999 «Mit dieser Aufnahme ist dem Quartett ein Meisterwerk gelungen.» Sägewerk |
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Peer Seemann Partenza Peersound 2009 «...reist an zehn Orte zwischen Nordsee und Mittelmeer.» Ueli Bernays, NZZ |
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Dropp Ensemble Safety either/OAR 2009 «On a par with a well written string quartet. So good.» Richard Pinnell, The Watchful Ear |
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Kurai Kurai AltrOck 2009 «Kurai's debut release is a fantastic, enriching musical experience.» Avi Shaked, Maelstrom |
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Dead Peni 2-4+1 Blossoming Noise 2009 «Total buzzing black doom industrial noise nirvana.» Aquarius Records |
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Dietrich Eichmann Ensemble Hot Days Leo Records 2007 «This lot injects uncanny elements of soul.» Glenn Astarita, All About Jazz |
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Die Welttraumforscher Feenfeld Secret Wonder Records 2006 «Lyrisch und lakonisch leise...» Kip Eulenmeister |
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The International Nothing mainstream ftarri 2006 «It's a proud example or the new Berlin music.» Clive Bell, The Wire |
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Peer Seemann Vita Chiara peersound 2005 «Elettrocanzoni. Chanson-Traditionen und Bossa-Lounge-Sound.» Jens Wollweber, Tonspion |
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Linako's Lovely Loops white loops Linakorecords 2005 «Musikalische Ready-mades feat. Peter Kowald.» endmix.de |