Christian Weber Walcheturm Solo Cut 2008 «Easily one of the more unique and inspiring albums this year.» Tobias Fischer, Tokafi read more...
		Christian Weber 3 Suits & A Violin hatOLOGY 2006 «One of the best releases of 2006, very highly recommended.» Massimo Ricci, Paris Transatlantic read more...
		Christian Weber Osaka Solo Self Release 2006 «It's about playing rather than fixing.» Noël Akchoté, Skug read more...
		Erb/Weber/Künzi Spazio Elle Veto Records 023 «Arrêtez les bêtises!» Anonymous neighbor
		The Workers Saarbrücken Wide Ear Records 2023 «Spruchreif bis zur letzten Sekunde.» Rudolf Amstutz, Jazz'n'More
		Studer/Frey/Schlegel/Weber Tetrapylon Leo Records 2023 «A monument to the possibilities of the bass quartet.» Nick Ostrum, The Free Jazz Collective
		Sudden Infant Lunatic Asylum Fourth Dimension Records 2022 «A raging manifesto against harmlessness!» Xymna Engel, Der Bund
		Aki Takase/Christian Weber/Michael Griener Auge Intakt 2021 «Auge advance the language of piano jazz with a collective approach.» Bill Meyer - Chicago Reader
		The Workers Altbüron Wide Ear Records 2020 «Vier grandiose Musiker die anspruchsvollen Hörgenuss bieten.» Christoph Haunschmid, OÖNachrichten
		Eskelin-Weber-Griener The Pearls Intakt 2019 «Played with grace, humility and a great deal of skill leading to their success.» Tim Niland, Rootstime
		Joke Lanz/Jason Kahn/Norbert Möslang Günter Müller/Christian Weber kangaroo_kitchen mikroton 2019 Recorded in Kaliningrad and Moscow at Mikroton Mikroten Festival.
		Sudden Infant Buddhist Nihilism Harbinger Sound 2018 «A fucking tight unit operating in the realms of pure magic.» Richard Johnson, Adverse Effect Magazine
		Eskelin-Weber-Griener Sensations Of Tone Intakt 2017 «Your music has a warmth, an effortlessness and a matter of course that goes straight to my heart.» Beat Blaser, Swiss Culture Radio
		Joke Lanz & Christian Weber Berlin Tapes Blossoming Noise 2016 «Nothing but phenomenal and jolly good fun!» Graham McKenzie, Artistic Director HCMF
		The International Nothing (... and something) The Power Of Negative Thinking Monotype 2016 «A dark and thought-provoking work.» Christopher Nosnibor, Aural Aggravation
		The Peeled Eye s/t Shameless 2015 «An embryonic precursor of horn-fronted instrumental noise rock.» Philip Montoro, Chicago Reader
		WintschWeberWolfarth Thieves Left That Behind veto-records/exchange 2015 «Une belle réussite et un trio essentiel.» David Cristol, Impro Jazz (F)
		WintschWeberWolfarth Willisau hatOLOGY 2013 «Excitedly recommended!» Glenn Astarita, All About Jazz
		Lake-Weber-Ulrich feat. Nils Wogram All Decks Intakt 2013 «Un superbe concert, plein, dense et chargé. (OUI!).» Jean Buzelin, Culturjazz
		WintschWeberWolfarth The Holistic Worlds Of... Monotype 2012 «Inventive and imaginative, not a weak spot.» Dolf Mulder, Vital Weekly
		Wooley - Weber - Lytton Six Feet Under NoBusiness 2012 «This splattering platter is to die for.» Lawrence Joseph, Cult
		Tetras Pareidolia Flingco 2012 «Thunder and lightning caroming down a long canyon.» Bill Meyer, tokafi
		Lake-Weber-Ulrich For A Little Dancin' Intakt 2010 «The music is dense, urgent, wide awake.» Manfred Papst, NZZ
		Picard-Dunmall-Rogers-Weber-Levin London Meets Altbüron DUNS Limited Edition 2008 «This is where the cosmic energy truly comes together.» Bruce Lee Gallanter, Downtown Music Gallery
		Signal Quintet & Yamauchi Signal to Noise Vol. 4 For4Ears 2007 «Improvisation master class this one.» Frans de Waard, Vital Weekly
		Mersault Raymond & Marie formed 2007 «Unpleasingly beautiful playing for those who don't like security.» Massimo Ricci, Touching Extremes read more...
		Korber-Weber-Yamauchi Signal to Noise Vol. 2 For4Ears 2007 «Magnificent.» Dan Warburton, Paris Transatlantic read more...
		Signal Quintet Yamaguchi Cut 2007 «... there's a hint of beauty in the music.» Brian Marley, The Wire
		Thieke-Griener-Weber The Amazing Dr. Clitterhouse Ayler Records 2007 «The recording showcases a trio full of personality.» Celeste Sunderland, All About Jazz (NY)
		Kahn-Korber-Weber Zürcher Aufnahmen Longbox Recordings 2007 «...despite its stoic coldness it offers plenty to the patient.» Jon Dale, The Wire
		Wintsch-Weber-Wolfarth WWW Leo Records 2006 «Der goldene Zuschnitt dieser Musik ist fast beängstigend.» Rigobert Dittmann, Bad Alchemy
		Wiesendanger-Weber-Ulrich We Concentrate. hatOLOGY 2006 «With their own sense of history, this is marvelous trio music.» Jason Bivins, Cadence
		Mersault s/t Quakebasket 2005 «Three pieces that are all highly powerful to say the least.» Frans de Waard, Vital Weekly
		Binder-Weber-Ulrich BOX Origin 2005 «This is exploration of how music is made on the spot.» Adam Greenburg, All Music Guide
		WAL Law & Disorder Unit Records 2003 «Das ist Musik die alte Geister wach ruft...» Pirmin Bossart, Neue Luzerner Zeitung
		Brennan-Denzler-Weber-Wolfarth Momentum 3 Leo Records 2002 «They integrate seamless flow into the grand proceedings.» Glenn Astarita, All About Jazz
		Peyer-Weber-Stoffner Unsung Songs Unit Records 2000 «Sympathetically and intelligently played.» Eric Lewis, Jazz Now
		trio bekic-weber-herrmann mnemosonik Extraplatte 1999 «Beseelt von wohltuender Eigenwilligkeit und Prägnanz.» Extraplatte
		Omri Ziegele Tomorrow Trio All Those Yesterdays Intakt 2020 «Han on fire. Christian dancin'. Omri preachin'.» Jean Pignon, Le Bonbeat
		Scott Fields Ensemble Seven Deserts New World Records 2020 «Nice!» Elliott Sharp
		Peter Schärli Peace Now! enja 2020 «Musik kann die Welt verändern. Mann muss ihr nur zuhören.» P. Schärli
		Michael Wollny Trio Oslo ACT 2018 «Brimming with lyrical improvisation.» Kerilie McDowall, Downbeat
		Michael Wollny Trio Wartburg ACT 2018 «Aus W & O mach Wow, das Trio fährt wie die Sau!» Klarus Nüchtern, Falter
		Stephan Aschböck Broken Lines Apolys Music 2017 «Music as self-reflection, at the core of humanistic philosophies.» Clive Wolff, Open Ears
		Jacob Wick Twice Love MARGINAL FREQUENCY 2016 «Carrier and container – smoother vessels.» Bonnie Jones
		15 Years of Kontrabassduo Studer-Frey Zurich Concerts Leo Records 2016 «Majestueux!» Jean-Michel Van Schouwburg
		Michael Wollny Trio Klangspuren ACT 2016 «A quite exceptional album.» Stuart Nicholson, Jazzwise Magazine
		Michael Wollny Trio Nachtfahrten ACT 2015 «Ein Geniestreich der Reduktion.» Dr. Ulrich Steinmetzger, Leipziger Volkszeitung
		Z3 Pale Fire WhyPlayJazz 2014 «A continuous flow of excellent and fascinating music.» Adam Baruch
		Sudden Infant Wölfli's Nightmare Voodoo Rhythm Records 2014 «The Cramps meets early Neubauten.» Reverend Beatman
		Der Grosse Bär Das Zirkumpolare Jazz Orchester Unit Records 2014
		Christy Doran's Bunter Hund Walkin' The Dog Unit Records 2014 «A striking tale of genre-busting, free-spirited play.» Ian Patterson, All About Jazz
		Michael Thieke Unununium Nachtlieder Mikroton 2013 «A thoroughly enjoyable, surprisingly accessible effort.» Brian Olewnick, Just Outside
		Spaltklang In Between AltrOck 2013 «Ein Wurf ist diesen hervorragenden Künstlern gelungen.» André Lemblé
		Ewald Hügle Quartet Hop-Frog Unit Records 2013
		Co Streiff-Russ Johnson Quartet In Circles Intakt 2011 «Yielding a vibrant document of contemporary jazzk.» Troy Collins, Point of departure
		Christoph Irniger - Pilgrim Mt. Tongariro Between The Lines 2011 «Die individuelle Klasse bleibt indes nicht verborgen.» Ueli Bernays, Neue Zürcher Zeitung
		Norbert Möslang The Sound Of Insects bots 2011 «Evocative, haunting score work.» Press
		Felix Profos FORCEMAJEURE Lingua Mortuorum Zhdk Records 2011 «Hidden amongst them are some excellent horror stories.» Thaddeus Gazelloni, Phono Forum
		Stefan Heckel Group Lifeline Sessionwork Records 2011 «Europäische Wurzeln und orientalische Farben.» Austria, Press
		OZMO OZMO Unit Records 2011 «Manchmal dominiert, wie hier klar ersichtlich, die Lust.» tHo, Concerto
		Jason Kahn Sin Asunto Creative Sources 2010 «Dissonant luminosity with a measure of angst.» Massimo Ricci, Touching Extremes
		Matin Baumgartner's SPIELHUUS Veto Records 2010 «Anarchisch, lustvoll und froh.» Christoph Merki, Tages-Anzeiger
		Jazzwerkstatt Bern Festival Sampler 2009 Werkstatt Records 2010
		Sudden Infant My Life's A Gunshot Hrönir 2010 «A unique blend of physical sound poetry and epileptic noise.» The Wire
		BigVeto 100valli Veto Records 2009 «Eine Art von Klage gespielt Harmonischen Schilf.» Vincenzo Roggero, All About Jazz (I) - Google translation
		Roberto Domeniconi >>Vierklang Raumzeit Unit Records 2009 «Viel Experiment und doch gut zugänglich.» Hanspeter Vetsch, Schweizer Illustrierte
		Walter & Sabrina/Dietrich Eichmann Ensemble Demons Danny Dark Records 2008 «Orchestral motifs to propel their horrific tales of sin and revenge.» Mike Wood, Music Emissions
		Walter & Sabrina Jung Ah Fleisch Danny Dark Records 2008 «Walter & Sabrina albums are never an easy ride.» Norman Records, online
		Jason Kahn Timelines NY Conv 2008 «A continuum without beginning or end.» Toni Maroni, The Magazine
		Sudden Infant Psychotic Einzelkind Blossoming Noise 2008 «A very focussed set of exercises in electronics-driven noise-rock.» Ed Pinsent, The Sound Inspector
		Co Streiff Sextet Loops, Holes & Angels Intakt Records 2007 «Progressive jazz dipped in a variety of world-music.» Glenn Astarita, All About Jazz
		Day & Taxi OUT percaso 2006 «...lighthearted and donative in terms of aural gratification.» Massimo Ricci, Touching Extremes
		Day & Taxi Live in Shenzen, Shanghai and Taipei percaso [LP] 2005 «Innovativer Spieltrieb und technisches Handwerk in Symbiose.» Anke Kathrin Bonner, LP
		Jason Kahn Timelines Cut 2005 «A big, bubbling cauldron of sound... Do yourself a favor.» Michael Schaumann, Bagatellen
		Stefan Heckel Group News from the Royal Alpine Music Factory Extraplatte 2004 «Man verspürt den Spirit eines Live-Konzertes...» tHo, Jazzzeit
		Sudden Infant Earwash SSSM 2003 «This is quite an original work of noise.» Frans de Waard, Vital Weekly
		Co Streiff Sextet Qattara Intakt Records 2002 «One of this year's best and most unexpected of treasures.» Bruce Gallanter, Downtown Music Gallery
		Stefan Heckel Group Horch Extraplatte 1999 «Mit dieser Aufnahme ist dem Quartett ein Meisterwerk gelungen.» Sägewerk
		Fuchigami to Funato Live In Europe 2007-2013 Yoshida House 2014 «Lovely duo teaming up with some old and new friends.» Captain Boomerang
		Maya Turbo EP 2012 «Stacheldraht mit Samtbezug.» Intro
		Peer Seemann Partenza Peersound 2009 «...reist an zehn Orte zwischen Nordsee und Mittelmeer.» Ueli Bernays, NZZ
		Dropp Ensemble Safety either/OAR 2009 «On a par with a well written string quartet. So good.» Richard Pinnell, The Watchful Ear
		Kurai Kurai AltrOck 2009 «Kurai's debut release is a fantastic, enriching musical experience.» Avi Shaked, Maelstrom
		Dead Peni 2-4+1 Blossoming Noise 2009 «Total buzzing black doom industrial noise nirvana.» Aquarius Records
		Dietrich Eichmann Ensemble Hot Days Leo Records 2007 «This lot injects uncanny elements of soul.» Glenn Astarita, All About Jazz
		Die Welttraumforscher Feenfeld Secret Wonder Records 2006 «Lyrisch und lakonisch leise...» Kip Eulenmeister
		The International Nothing mainstream ftarri 2006 «It's a proud example or the new Berlin music.» Clive Bell, The Wire
		Peer Seemann Vita Chiara peersound 2005 «Elettrocanzoni. Chanson-Traditionen und Bossa-Lounge-Sound.» Jens Wollweber, Tonspion
		Linako's Lovely Loops white loops Linakorecords 2005 «Musikalische Ready-mades feat. Peter Kowald.» endmix.de

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Christian Weber | hello@christianweber.org